RADIO SHOW #27: 20th-Century Music on the March

JOHN PHILIP SOUSA

This show, first broadcast on October 14, 2016, surveys 90 years of march music. It begins with two classics by American composer John Philip Sousa, the March King – one from the 1890s and one from the 1920s (heard played by Sousa’s Band, with conductors Arthur Pryor and Sousa himself). The 1900s are represented by march music from England’s Sir Edward Elgar, Russia’s Alexander Scriabin, American composer Scott Joplin, Italy’s Ferruccio Busoni, and Austrian master Anton Webern. Further reinventions of the march are heard in the 1910s and ‘20s, from America’s Charles Ives, Viennese greats Alban Berg and Arnold Schoenberg, and Russia’s Igor Stravinsky. March music for percussion ensemble, dating from the 1930s, is heard from Americans William Russell and Johanna M. Beyer. Two great composers contributed brief piano marches in the 1940s, Béla Bartók and Dmitry Shostakovich. Postmodern march music comes from Anthony Braxton and The Residents. Quotations are included from my own interview with Braxton.

ANTHONY BRAXTON (photo by Gene Bagnato)

Marches played are:

JOHN PHILIP SOUSA

The Stars and Stripes Forever (1896)

Nobles of the Mystic Shrine (1923)

EDWARD ELGAR

Pomp and Circumstances Military Marches No. 1 (1901)

ALEXANDER SCRIABIN

Symphony No. 2, Marcia: Maestoso (1901)

SCOTT JOPLIN

A Breeze from Alabama – March and Two-Step (1902)

FERRUCCIO BUSONI

Turandot Suite, “Truffaldino’s March” (1905)

ANTON WEBERN

Six Orchestral Pieces, “Marcia funebre” (1909)

ALBAN BERG

Three Orchestral Pieces, “Marsch” (1914)

CHARLES IVES

Three Places in New England, “The ‘St.-Gaudens’ in Boston Common (Col. Shaw and his Colored Regiment)” (1914)

IGOR STRAVINSKY

L’histoire du soldat Suite, “The Soldier’s March,” “The Royal March,” “Triumphal March of the Devil” (1918)

ARNOLD SCHOENBERG

Serenade, “Marsch” (1923)

WILLIAM RUSSELL

March Suite (1936)

JOHANNA M. BEYER

March (1939)

BÉLA BARTÓK

Mikrokosmos, Book IV, No. 147 “March” (1940)

DMITRY SHOSTAKOVICH

Children’s Notebook, No. 1, “March” (1944)

ANTHONY BRAXTON

Composition No. 58 (1976)

THE RESIDENTS

Stars & Hank Forever!, “Sousapart” (1986) [excerpt]

Link to:

Music: Radio Shows: Contents

For more on these composers, see:

Music Book: Historical Dictionary of Modern and Contemporary Classical Music, Second Edition

More Cool Sites To Visit! – Music

For more on Béla Bartók and Charles Ives, see:

Music Lecture: “Intense Purity of Feeling”: Béla Bartók and American Music

Music: Radio Show #10, Percussion in Early 20th-Century Music

For more on Alban Berg, see:

Music: Radio Show #28, Ross Lee Finney and His Teachers

For more on Alban Berg and Anton Webern, see:

Music Lecture: “Intense Purity of Feeling”: Béla Bartók and American Music

Music: Radio Show #24, The Second Viennese School: Alban Berg and Anton Webern

For more on Johanna M. Beyer, see:

Music: Radio Show #29, Electro-Acoustic Music, Part 1: New Instruments

For more on Johanna M. Beyer and William Russell, see:

Music: Radio Show #19, The Percussion Ensemble

For more on Anthony Braxton, see:

Music Book: Soundpieces 2: Interviews with American Composers

For more on Ferruccio Busoni and Igor Stravinsky, see:

Music: Radio Show #20, Neo-Classicism, part 1

For more on Charles Ives, see:

Music Lecture: The Secret of 20th-Century American Music

Music: Radio Show #16, John J. Becker and the American Five Plus One

For more on The Residents, see:

Film Review: The Eyes Scream

Film Review: Triple Trouble

Music Book: Sonic Transports: New Frontiers in Our Music

Music Lecture: My Experiences of Surrealism in 20th-Century American Music

Music: Radio Show #7, Postmodernism, part 4: Three Contemporary Masters

Music: Radio Show #26, Surrealism in 20th-Century American Music

For more on Arnold Schoenberg, see:

Music: Radio Show #23, A Tribute to Arnold Schoenberg

Music: Radio Show #25, Schoenberg in America

And be sure to read Sabine Feisst’s book Schoenberg’s New World

For more on Arnold Schoenberg and Igor Stravinsky, see:

Music Lecture: “Intense Purity of Feeling”: Béla Bartók and American Music

For more on Dmitry Shostakovich, see:

Music: Radio Show #15, Prokofiev, Shostakovich, and Formalism in Soviet Music

For more on Dmitry Shostakovich and Igor Stravinsky, see:

Music: Radio Show #21, Neo-Classicism, part 2

For more on Igor Stravinsky, see:

Music: Radio Show #22, Neo-Classicism, part 3